Your email is not valid
Recipient's email is not valid
Submit Close

Your email has been sent.

Click here to send another

thescroll_header

Moroccan Grooves, Blogged

A fan scours record collections from Marrakech to Montreal for music by Morocco’s bygone Jewish pop stars

Print Email
Some albums from Silver's collection.(Chris Silver)

By day, Chris Silver works for a Jewish task force trying to raise awareness about civic inequalities facing Israel’s Arab citizens. But he dedicates his free time to Jews in an Arab land, with his blog, Jewish Morocco. Silver created the blog in 2008, while traveling in Morocco, as a way of sharing the stories, photographs, and other artifacts he was collecting to document what Jewish life there had been like in its heyday. Along the way, he developed a particular interest in the country’s Jewish musicians and singers—characters who were beloved by Moroccans of all backgrounds, and to whom he gives ample space on his blog.

Silver joins Vox Tablet host Sara Ivry to talk about some of the unique voices he’s discovered, what happened to Jewish Moroccan singers once they left the country in the 1950s and ’60s, and where he gets his missionary zeal (hint: It has to do with Bob Dylan; Mama Cass; Bill Cosby; and Chris’s dad, Roy). [Running time: 25:55.] 

***

Like this article? Sign up for our Daily Digest to get Tablet Magazine’s new content in your inbox each morning.

Print Email

COMMENTING CHARGES
Daily rate: $2
Monthly rate: $18
Yearly rate: $180

WAIT, WHY DO I HAVE TO PAY TO COMMENT?
Tablet is committed to bringing you the best, smartest, most enlightening and entertaining reporting and writing on Jewish life, all free of charge. We take pride in our community of readers, and are thrilled that you choose to engage with us in a way that is both thoughtful and thought-provoking. But the Internet, for all of its wonders, poses challenges to civilized and constructive discussion, allowing vocal—and, often, anonymous—minorities to drag it down with invective (and worse). Starting today, then, we are asking people who'd like to post comments on the site to pay a nominal fee—less a paywall than a gesture of your own commitment to the cause of great conversation. All proceeds go to helping us bring you the ambitious journalism that brought you here in the first place.

I NEED TO BE HEARD! BUT I DONT WANT TO PAY.
Readers can still interact with us free of charge via Facebook, Twitter, and our other social media channels, or write to us at letters@tabletmag.com. Each week, we’ll select the best letters and publish them in a new letters to the editor feature on the Scroll.

We hope this new largely symbolic measure will help us create a more pleasant and cultivated environment for all of our readers, and, as always, we thank you deeply for your support.

TAZIMUSA says:

Great contribution, and program.  However, there is no dearth of literature about Jewish history, culture, social life in Morocco, mostly in French and Hebrew, though also quite a bit in English in academic journals.  I hear it a little bit as a subtext, but don’t recall the word “bittersweet” in Mr. Silver’s account.  I was introduced to “Abitbol” and “the Abitbol brothers” in the late 70’s in Morocco, by someone asking another person, in response to my questions about what’s the best music to listen to — “what’s the name of that Jew”?  (dak l-yehudi).  By that time the brothers were performing, I think, for Jewish affairs rather than in nightclubs.  I could be wrong.  Why no mention of Jo Amar, Haim Look, Emile Zrihan?

    Eva Broman says:

    Inbal Perelson has written a dissertation in Hebrew on Jewish-Arabic musicians in Israel. The English title is “A Great Joy Tonight”-Arab-Jewish Music and Mizrahi Identity”. I ordered my copy through the Internet a few years ago, so it should still be available. 

Tazim,

Thanks for sharing! Increasingly scholars are paying attention to Jewish Morocco (thankfully) but little has been written on the Jewish role in the music industry in the first half of the 20th century and even less about what happened to these musicians in the late 50s through 70s. There is so much good music to share (including the artists you mentioned below) but of course only so much time on a podcast :) Much more, including Jo Amar, can be found on my blog.

All the Best,

Chris

2000

Your comment may be no longer than 2,000 characters, approximately 400 words. HTML tags are not permitted, nor are more than two URLs per comment. We reserve the right to delete inappropriate comments.

Thank You!

Thank you for subscribing to the Tablet Magazine Daily Digest.
Please tell us about you.

Moroccan Grooves, Blogged

A fan scours record collections from Marrakech to Montreal for music by Morocco’s bygone Jewish pop stars

More on Tablet:

Berbere Brisket Recipe for Passover

By Michael Twitty — Michael Twitty puts an Ethiopian twist on an Ashkenazi standby